🟢 AI-Powered Jade Identification

Jade Identifier —
Jadeite, Nephrite, or Simulant?

Upload a photo of your jade piece — jewellery, carving, bangle, or rough — and our AI identifies whether it is jadeite, nephrite, or one of the many jade simulants, assesses quality and treatment level, and gives you an expert-level result in seconds. Free, no sign-up required.

Free · No sign-up Jadeite vs nephrite Imperial jade assessment Treatment detection Simulant identification

What You Get in Every Result

  • Jade type — Jadeite / Nephrite / Simulant
  • Confidence percentage with full visual reasoning
  • Quality grade — Imperial, Commercial, B-grade, C-grade indication
  • Treatment assessment — bleaching, polymer filling, dyeing
  • Colour and translucency description
  • Geographic origin indicators — Myanmar, Canada, China, New Zealand
  • Common jade simulants identified
  • Collector and market value indication
  • Care advice and authenticity next steps
jade identifier

Jade Identifier

Identify jade (jadeite vs nephrite) vs common look-alikes such as serpentine, aventurine, glass, and dyed stones

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Description

Origin / formation

Is Jade

Type / hint

Texture / structure

Translucency

Treatment

Hardness / toughness

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Hardness (Mohs)

Luster

Rarity

Relative value

Notable localities / regions

Typical colours

Key properties

    Similar gemstones

    Alternative identifications

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    Note: Jade confirmation (jadeite vs nephrite) and treatment checks often require gem lab testing. Photo ID is a starting point, not an appraisal.

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    What Is Jade — and Why Are There Two Completely Different Stones?

    Jade is not a single mineral — it is a commercial term applied to two entirely different minerals that happen to share similar appearance and cultural importance. Jadeite and nephrite were both called jade long before modern mineralogy existed to distinguish them, and the name stuck. Understanding which mineral you have is the single most important step in jade identification because the two minerals have very different physical properties, origins, and market values.

    Jadeite is a pyroxene mineral (sodium aluminium silicate, NaAlSi₂O₆). It is rarer, harder, and capable of producing more intense colour than nephrite. The finest jadeite — Imperial Jade — is a vivid, semi-transparent emerald green that commands extraordinary prices in Asian markets. Myanmar (Burma) is the dominant source of gem-quality jadeite.

    Nephrite is an amphibole mineral (calcium magnesium iron silicate). It is tougher than jadeite — an interlocking fibrous structure makes it extraordinarily resistant to fracture — and occurs across a much wider geographic range. Nephrite was the jade of ancient China, New Zealand’s Māori culture, and pre-Columbian Mesoamerica.

    Toughness vs hardness — nephrite is tougher than jadeite

    Hardness and toughness are different properties. Jadeite is harder (Mohs 6.5–7) than nephrite (Mohs 6–6.5) — meaning it resists scratching better. But nephrite is tougher — it resists breaking and fracturing better due to its interlocking fibrous microstructure. Nephrite is in fact one of the toughest natural materials known, which is why it was used for tools and weapons by Neolithic and pre-Columbian cultures. A nephrite axe head survives enormous impact forces that would shatter a diamond or sapphire.

    Jadeite vs Nephrite — A Side-by-Side Comparison

    Visually, jadeite and nephrite can appear very similar — both occur in green, white, lavender, and other colours, and both have been carved and polished for millennia. These are the key differences that distinguish them physically and commercially.

    Jadeite
    The rarer, more valuable jade
    Mineral groupPyroxene
    FormulaNaAlSi₂O₆
    Mohs hardness6.5–7
    Specific gravity3.30–3.36
    LusterVitreous to waxy
    TextureGranular interlocking
    Colour rangeGreen, white, lavender, yellow, black, red
    Finest colourImperial green (vivid chromium green)
    Primary sourceMyanmar (Burma)
    MarketDominant in Chinese/Asian jewellery market
    Nephrite
    The tougher, more widespread jade
    Mineral groupAmphibole (tremolite-actinolite)
    FormulaCa₂(Mg,Fe)₅Si₈O₂₂(OH)₂
    Mohs hardness6.0–6.5
    Specific gravity2.90–3.02
    LusterWaxy to silky
    TextureFibrous interlocking — extremely tough
    Colour rangeGreen, grey-green, white, black, yellow, brown
    Finest colourDeep spinach green (Canadian / NZ)
    Primary sourcesCanada, China, New Zealand, Russia
    MarketTraditional carvings; Māori taonga; collectors

    “The single most reliable visual distinction between jadeite and nephrite is surface texture under magnification. Jadeite shows a granular, interlocking texture of individual crystals on a polished surface — sometimes described as ‘orange peel’ texture. Nephrite shows a smooth, waxy surface from its fibrous structure. This difference is often visible under a 10× loupe on a freshly polished surface.”

    Jadeite Quality Grades — From Imperial to C-Grade

    The jadeite market — dominated by Chinese buyers — uses a grading system based on colour, translucency, texture, and treatment. Understanding these grades is essential for interpreting your result and understanding value differences that can span several orders of magnitude.

    Imperial / A-Grade
    Natural, untreated jadeite. Any colour but highest premiums for vivid emerald green. Vitreous luster. May be waxed only. The only grade commanding true collector prices.
    Type A
    Natural colour, natural structure — only surface wax polish applied. The standard for genuine jade jewellery. Waxing is acceptable and traditional; does not reduce value significantly.
    B-Grade (Bleached)
    Bleached with acid to remove brown impurities, then impregnated with polymer resin to restore structural integrity. Colour is natural but structure is compromised. Significantly reduced value. Polymer fill degrades over time.
    C-Grade (Dyed)
    Artificially dyed to produce colour not present naturally. Dye fades and migrates over time. Worth a fraction of natural jade. Often sold fraudulently as natural. Must always be disclosed.

    B and C grade jade is extremely common — and often sold without disclosure

    The majority of commercially available jade jewellery — particularly inexpensive bangles and pendants — is B-grade or C-grade material. B-grade jade looks beautiful when new but the polymer fill yellows and the structure weakens over time. C-grade dye fades, often becoming patchy and unattractive. Both must be disclosed under gemological standards but rarely are at the point of sale. Our AI flags visual indicators of treatment, but definitive B/C grade determination requires laboratory testing with infrared spectroscopy and UV examination.

    Imperial Jade — The Most Valuable Jade

    Imperial Jade is the term for the finest jadeite — a vivid, semi-transparent to transparent emerald green with exceptional chromium content and a lively, glowing quality. True Imperial Jade is among the most valuable gemstones in the world in the Asian market. A fine Imperial Jade bangle of significant size can sell at auction for millions of dollars. The colour must be uniform, vivid, and neither too yellow-green nor too blue-green. The translucency must allow light to glow through the stone. The texture must be fine-grained and smooth. All three properties must align to qualify as Imperial grade.

    Jade Treatments — Understanding the A/B/C Classification

    The A/B/C grading system in jade refers specifically to treatment level, not quality level as in diamond grading. This causes significant confusion — “B-grade jade” does not mean moderately good jade; it means structurally treated jade. Here is a complete breakdown of what each treatment involves and how our AI screens for it.

    Treatment What Is Done Visual Indicators Value Impact
    Waxing (Type A) Surface wax applied after polishing to enhance luster and fill microscopic surface pits. Traditional and fully accepted. No distinguishing features — acceptable treatment. High luster surface. No impact — standard practice
    Bleaching + Polymer (B-Grade) Acid bleach removes iron staining and brown patches; polymer resin fills the resulting voids to restore structural integrity and transparency. Abnormally even colour; slightly chalky surface as polymer ages; crazing in older pieces; greenish iridescent flash in fractures under UV. Serious — value reduction of 70–90%
    Dyeing (C-Grade) Artificial colour introduced by immersion in dye solution, sometimes after bleaching to open pores. May be combined with B-treatment. Colour concentrated in fractures and grain boundaries; unnaturally even colour without natural variation; fading visible in older pieces. Serious — value near zero as collectible
    Surface Coating Thin layer of coloured lacquer or resin applied to surface to enhance colour. Particularly common in lower-grade carved pieces. Colour sits on surface rather than within; scratches expose uncoloured interior; waxy or plastic-like surface feel. Deceptive — full disclosure required
    Heat Treatment Heating used to alter colour in some jadeite — can enhance brownish tones or create orange-red “hongshan” colouration. Subtle colour changes; may show stress fractures if heated too rapidly. Less common than other treatments. Moderate — should be disclosed
    No Treatment (Natural) Absolutely no chemical or structural treatment — colour and structure entirely natural. Only surface wax acceptable. Natural colour variation with lighter and darker patches; natural inclusions and growth features; vibrant luster consistent through stone. Premium — commands full market price

    Jade Simulants — The Most Impersonated Gemstone

    Jade is arguably the most widely faked gemstone in the world, with dozens of materials sold under jade trade names or simply misrepresented as jade. The commercial demand — particularly in Asian markets — combined with jade’s relatively modest hardness and wide colour range creates the conditions for widespread substitution.

    Serpentine
    Genuine mineral
    The most common jade simulant. Often sold as “Korean jade,” “Styrian jade,” or “new jade.” Similar green colour but significantly softer (Mohs 3–4), lighter weight, and waxy rather than vitreous luster. The surface scratches very easily — a steel nail scratches serpentine but not jade. Also typically shows a slightly yellowish or olive tone rather than the cool green of fine jadeite.
    Tell: Much softer — scratched by a steel nail; lighter weight; more olive/yellow tone
    Aventurine Quartz
    Genuine mineral
    Green quartz with fuchsite mica inclusions producing a sparkling shimmer (aventurescence). Often sold as “Indian jade.” Mohs 7 — harder than jade, which distinguishes it. The characteristic metallic glitter from mica inclusions is visible under magnification and is diagnostic. Vitreous rather than waxy luster. A very common and widely distributed mineral.
    Tell: Visible glittery shimmer from mica inclusions; harder than jade; conchoidal fracture
    Prehnite
    Genuine mineral
    Pale yellow-green to green mineral. Sometimes sold as “grape jade” or confused with nephrite. Lower hardness (Mohs 6–6.5), characteristic translucency with fibrous internal structure, and often shows a distinctive cauliflower-like botryoidal habit in natural specimens. Generally lighter and more translucent than nephrite of similar colour.
    Tell: Lighter colour; often more translucent; botryoidal habits; fibrous appearance
    Chrysoprase
    Genuine mineral
    Apple-green chalcedony coloured by nickel. One of the most convincing jade simulants — the colour can closely resemble fine Imperial Jade. Mohs 7, slightly harder than jadeite. Lacks jade’s granular or fibrous texture — shows microcrystalline chalcedony structure under magnification. Colour fades in prolonged direct sunlight. More translucent and even in colour than most jade.
    Tell: Very even colour without natural jade variation; smooth microcrystalline texture; fades in sun
    Malachite
    Genuine mineral
    Vivid banded green carbonate. Occasionally sold as jade but easily distinguished — malachite shows characteristic concentric banding in cross-section, reacts with acid, and is significantly softer (Mohs 3.5–4). The distinctive banding makes misidentification by an informed buyer unlikely, but uninformed consumers are sometimes misled.
    Tell: Distinctive concentric banding; reacts to acid; much softer; different texture entirely
    Glass
    Simulant
    Green glass is widely used in costume jewellery and sold as jade, particularly in carved and bangle form. Glass shows characteristic bubbles and flow lines under magnification, conchoidal fracture on chips, significantly lower hardness, and a cold-feeling surface that warms faster than genuine jade. The too-perfect, uniform green colour without any natural variation is a key visual indicator.
    Tell: Bubbles under magnification; too-perfect uniform colour; conchoidal chips; lighter weight
    Dyed Quartzite
    Treated simulant
    Quartzite dyed green and sold as jade is common in tourist markets. The dye concentrates visibly in grain boundaries and fractures — a diagnostic sign under magnification. Quartzite is harder than jade (Mohs 7+) and has a different granular texture. The colour is typically too uniform and intense for natural jade.
    Tell: Dye concentrated in grain boundaries; too vivid, uniform colour; different surface texture
    Bowenite
    Genuine mineral
    A dense, fine-grained variety of serpentine, harder than common serpentine (Mohs 5–5.5) and more convincing as a jade simulant. Translucent, pale green to greenish-white. Widely used in Chinese carvings as a nephrite substitute — sometimes called “new jade.” Distinguished from nephrite by its softer hardness and slightly lighter weight.
    Tell: Softer than nephrite; lighter weight; slightly different surface quality under magnification

    Jade Across Cultures — Why This Stone Is Uniquely Important

    No gemstone in human history has been as culturally central to as many civilisations as jade. Understanding this context helps explain the enormous market demand — particularly in Asia — and why authenticity matters so profoundly to buyers.

    • China. Jade has been the most important cultural material in Chinese civilisation for at least 7,000 years — far longer than any recorded use of gold or diamonds. The Chinese word for jade, , appears in thousands of Chinese proverbs and expressions. Confucius enumerated eleven virtues of jade — including wisdom, benevolence, and courage. Imperial seals were carved from jade; the deceased were buried with jade objects to protect them in the afterlife. Today, a fine Imperial Jade bangle given from mother to daughter at marriage carries immense cultural weight.
    • Mesoamerica. The Olmec, Maya, and Aztec civilisations valued jade above gold. Maya rulers were buried with jade mosaic death masks. Jade was associated with maize, water, and life itself — the colour green was sacred. The Aztec word for jade, chalchíhuitl, was also used for all precious things.
    • New Zealand — Pounamu. New Zealand nephrite jade — called pounamu or greenstone — is among the most culturally significant materials in Māori culture. Hei-tiki pendants, mere clubs, and adzes carved from pounamu were treasured taonga (treasures) passed down through generations. Pounamu increases in spiritual power as it is passed between people. Under the Treaty of Waitangi settlements, pounamu belongs to Ngāi Tahu as a people.
    • Pre-Columbian North America. Jade was worked by numerous North American cultures. British Columbia nephrite was traded widely. The large nephrite boulders of Wyoming were used as tool sources by many cultures across the continent.

    Why jade bangles are so important in Chinese culture

    The jade bangle is one of the most significant jade objects in Chinese culture — worn by women daily, often given by mothers to daughters at marriage. A fine Imperial Jade bangle should be a single continuous ring of natural, untreated jadeite. The bangle must survive the hand-fitting process — a painful procedure in which the hand is temporarily compressed to slip the bangle over — which means it must be genuine solid natural jade. The emotional and cultural significance of jade bangles explains why B-grade and C-grade jade detection matters so profoundly to buyers.

    Frequently Asked Questions

    How do I tell jadeite from nephrite?
    The most reliable visual distinction is surface texture under a 10× loupe on a polished surface. Jadeite shows a granular texture of interlocking crystals — sometimes described as orange-peel texture — because it is composed of interlocking pyroxene crystals. Nephrite shows a smooth, waxy, silky surface reflecting its fibrous amphibole structure. Specific gravity also differs — jadeite feels noticeably heavier than nephrite of the same size. Colour is unreliable alone — both occur in green, white, and other colours. Our AI analyses luster quality, surface texture indicators, and colour character to make this distinction.
    What is Imperial Jade and how valuable is it?
    Imperial Jade is the finest grade of jadeite — vivid, semi-transparent to transparent emerald green coloured by chromium, with a glowing, lively quality. It must show uniform, intense green colour, good translucency, fine granular texture, and natural origin with no treatment beyond waxing. Fine Imperial Jade is among the most expensive gemstones per gram in the world in Asian markets — a significant Imperial Jade bangle regularly fetches millions of dollars at Hong Kong and Sotheby’s auctions. The record price for a jade piece at auction exceeded $27 million.
    Is B-grade jade worth buying?
    B-grade jade can be beautiful when new and is perfectly acceptable for fashion jewellery if sold with full disclosure at an appropriate price — typically 10–30% of equivalent natural untreated jade. The issue is that B-grade jade ages: the polymer fill yellows and may crack over time, and the acid bleaching has permanently weakened the stone’s internal structure. For investment or heirloom purposes, only natural untreated jadeite with a laboratory certificate is appropriate. For affordable jewellery purposes, B-grade is acceptable when disclosed and priced accordingly.
    Can I test jade at home?
    Several simple tests help at home. The hardness test: try to scratch the stone with a steel nail — genuine jade (both types) resists scratching; serpentine and glass do not. The temperature test: genuine jade feels cool and stays cool longer than glass or plastic. The density test: genuine jade feels noticeably heavy for its size — particularly jadeite. The sound test: two genuine jade bangles struck together produce a clear, musical ring; glass and simulants produce a dull thud. None of these tests is definitive, but together they eliminate the most common fakes. Laboratory infrared spectroscopy is the definitive test for B-grade detection.
    What is the difference between “jade” and “green stone”?
    In gemological terms, only jadeite and nephrite are true jade. “Green stone” is a broader term used for any green-coloured stone, including jade simulants. In New Zealand, pounamu (nephrite) is culturally called greenstone — but this refers specifically to genuine nephrite. In trade contexts, “green stone” without qualification could refer to anything from aventurine to serpentine to dyed quartzite. Always clarify whether a stone described as “green stone” or “jade” is specifically identified as jadeite or nephrite, confirmed by whom, and whether laboratory documentation exists.
    Why does lavender jade exist and is it valuable?
    Lavender jadeite is coloured by trace amounts of manganese or iron creating a lilac to violet colour. It is a naturally occurring colour in genuine jadeite and is the second most prized colour after Imperial green in the Chinese market. Fine quality lavender jade — semi-transparent, even colour, no treatment — can command very significant prices, particularly in bangle form. However, lavender is one of the most commonly dyed jade colours — blue-tinted dyes create convincing lavender shades in B-grade material. Our AI specifically flags when lavender colouration shows the too-uniform character of dye versus natural variation.

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